Hallo everyone! This is my first review here on the blog in quite a while, and suffice to say I’m starting off small because I read a small bit in the last few weeks but unfortunately didn’t jot down enough notes to remember them all in-depth. So here we are instead 😛 Included in this batch are:
- Joan Murray’s Drafts, Fragments, and Poems: The Complete Poetry
- Anne Michaels’ All We Saw
- George Orwell’s Notes on Nationalism
- Federico Garcia Lorca’s The Dialogue of Two Snails
- Italo Calvinos’ The Distance of the Moon
- Chris Cleave’s Everyone Brave is Forgiven
Drafts, Fragments, and Poems: The Complete Poetry
By: Joan Murray
Format/Source: Paperback; my purchase
The first appearance of this award-winning writer’s work since the 1940s, this collection, which includes an introduction by John Ashbery, restores Joan Murray’s striking poetry to its originally intended form.
Though John Ashbery hailed Joan Murray as a key influence on his work, Murray’s sole collection, Poems, published after her death at the early age of twenty-four and selected by W. H. Auden for inclusion in the Yale Series of Younger Poets, has been almost entirely unavailable for the better part of half a century. Poems was put together by Grant Code, a close friend of Murray’s mother, and when Murray’s papers, long thought to be lost, reappeared in 2013, it became clear that Code had exercised a heavy editorial hand. This new collection, edited by Farnoosh Fathi from Murray’s original manuscripts, restores Murray’s raw lyricism and visionary lines, while also including a good deal of previously unpublished work, as well as a selection of her exuberant letters.
Okay, I never heard of Joan Murray until I saw the Instagram account for NYRB post about this upcoming collection and posted a few snippets of her poetry. I was intrigued–read a lot of high praise about her work–so I decided to check her work out. Admittedly I read this book a few months ago and did not write any notes anywhere so my memory of my reaction to this book is a bit hazy but I remember enjoying it, the imagery choice she uses was quite intriguing. But the impression that was left in my mind first and foremost was that reminder that poetry can be whatever you make it to be, however you want to express yourself using the words at your disposal, arranged by way your mind, perspective, and creativity makes of it.
So yeah, if you’re looking for new poets from the early twentieth century to check out, definitely look in to this book! It’s great that NYRB is showcasing so many different poets from different periods, I’m finding out about lots of new poets this way 🙂